![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFqTwUUfnhQZEGb59V4xA2KKrAKKwRDe0vI46Nm4N6xIBLPQA-0sqzV1z4XmtheztVkJL3y-FOPLV9yg8nMq7JQ5QNAq2Y8c3RuAeTgh084-SzLsI1s2v_dqmtoPMsmgACqzhkAW5Xyrg/s400/illusion2.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLWq1mPw2YLuue94y0-rTqAnG7AjrSRZagiKvuvtMDbW110MgSFrb22NW5qlkomcLlZ9pbwYB3JNNfmK3qMaOLkVinQjh0yTqbcf5pUxHfOQkU0JCwbfwPWlUCz8keWc9RXIkL6u4lEyg/s400/illusion1.jpg)
Justin and I drove north from Baltimore city for a good thirty minutes and took an exit called "Mt Carmel" and this is the site we ended up at. A harvested crop field. It was strange I've never explored one in the fall time. I wanted to capture the energy of the place at that moment. The orchestra of crickets at peace, warning calls of crows, buzzards circling. The thing is when I scanned this painting in it didn't look right. I started playing with it and looking in the mirror at it to try and figure out what was making it not feel right. Is this a bad thing that it needs to be tilted? I'm no painting major. I've always struggled with the restriction of a rectangle sheet of paper or canvas. I'm more of an organic, circles, spirals kind of person.
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